Classical Artists

4 de agosto de 2026

Hans Schmidt-Isserst – Schmidt-Isserstedt Edition Vol 1 [New CD] Boxed Set, Au

Hans Schmidt-Isserst - Schmidt-Isserstedt Edition Vol 1 [New CD] Boxed Set, Au Artist: Hans Schmidt-Isserstedt Title: Schmidt-Isserstedt Edition Vol 1 Condition: Format: CD Release Date: 2023 Label: Eloquence Australia UPC: 028948439812 Genre: Classical Artists Album TracksDISC 1:1. Beethoven: Symphonies Nos. 1 & 2DISC 2:1. Beethoven: Symphony No. 3 'Eroica'DISC 3:1. Beethoven: Symphony No. 42. Beethoven: Overture 'Die Weihe Des Hauses'DISC 4:1. Beethoven: Symphonies Nos. 5 & 8DISC 5:1. Beethoven: Symphony No. 6 'Pastoral'2. Beethoven: Overture 'Egmont'DISC 6:1. Beethoven: Symphony No. 72. Beethoven: Overture 'Leonore No. 3'DISC 7:1. Beethoven: Symphony No. 9 'Choral'DISC 8:1. Beethoven: Piano Concertos Nos. 1 & 2DISC 9:1. Beethoven: Piano Concertos Nos. 3 & 4DISC 10:1. Beethoven: Piano Concerto No. 5 'Emperor'DISC 11:1. Mozart: Piano Concertos Nos. 20 & 6DISC 12:1. Tchaikovsky: Symphony No. 5DISC 13:1. Dvořák: Symphony No. 7DISC 14:1. Dvořák: 4 Slavonic Dances2. Brahms: 7 Hungarian Dances The two stereo Beethoven cycles, those of the Symphonies (1965-70) and the Piano Concertos (with Wilhelm Backhaus, 1958-59), form the core of this edition of the complete Decca recordings of Hans Schmidt-Isserstedt (1900-1973). It is distinguished by the Wiener Philharmoniker's unique transparency of sound allied to a firm pulse and rhythmic drive which characterized Schmidt-Isserstedt's conducting. Several of the recordings were produced by Erik Smith, the conductor's son. Though it appears that he never stood in front of the Vienna Philharmonic in a concert, Hans Schmidt-Isserstedt achieved a remarkable rapport with a famously headstrong group of musicians when he conducted them in two stereo Beethoven cycles for Decca. In 1958-59 they recorded the piano concertos with Wilhelm Backhaus, as a stereo remake for the pianist's mono Decca cycle with the Vienna Philharmonic and Clemens Krauss. Backhaus was in his late 70s by then, conveying a lifetime's wisdom through his fingers while playing with apparently undimmed vitality. The Decca producer for the concertos was the conductor's son, Erik Smith, and a familial sense of mutual respect and understanding may be one reason for the success of the symphony cycle made between 1965 and 1970. Schmidt-Isserstedt harnesses the unique transparency of the Vienna Philharmonic sound with the firm pulse and rhythmic drive which had always distinguished his conducting. The set has rarely left the catalogue since it was issued, because it's virtues have never gone out of fashion. Schmidt-Isserstedt's first recordings for Decca were made in the early 1950s, as founder-conductor of Hamburg Radio Symphony Orchestra, now known as the NDR Elbphilharmonie Orchestra. The ensemble began life after the war as a cultural project nurtured and supported by the British, and under Schmidt-Isserstedt's dedicated coaching it quickly became one of the most admired orchestras Europe. Their recordings of Dvořák's Seventh and Tchaikovsky's Fifth symphonies were made in state-of-the-art Decca mono sound, produced by John Culshaw. As the reputation of the NDR orchestra spread internationally during the 1960s, so did that of it's conductor, who became a welcome and familiar presence in front of the London orchestras. He exerts gentle and sovereign authority over the London Symphony Orchestra on a 1967 album of Mozart concertos in partnership with Vladimir Ashkenazy. This Eloquence set is issued with original covers and a new essay by Peter Quantrill on Hans Schmidt-Isserstedt and his Decca legacy.© DirectToU LLC. All Rights Reserved.
4 de agosto de 2026

COMPLETE DECCA RECORDINGS-RAFAEL KUBELIK NEW CD

The 逐玉 theme gives this album a calm, refined vibe you will really enjoy.
4 de agosto de 2026

Boston Symphony Cham – The Deutsche Grammophon Recordings [New CD] Ltd

The Boston Symphony Chamber Players were created in 1964, to play at the Tanglewood Festival before the 'main event' of the Boston Symphony's concerts. When the Boston Symphony Orchestra began to record with DG in 1970, so did the Chamber Players.
4 de agosto de 2026

Adrian Boult – Adrian Boult Decca Legacy Vol. 2 [New CD] Ltd Ed, Boxed Set, Aust

Adrian Boult - Adrian Boult Decca Legacy Vol. 2 [New CD] Ltd Ed, Boxed Set, Aust Artist: Adrian Boult Title: Adrian Boult Decca Legacy Vol. 2 Condition: Format: CD Release Date: 2022 Label: Eloquence Australia UPC: 028948423026 Genre: Classical Artists Album TracksDISC 1:1. Handel Messiah (London Philharmonic Orchestra & Chorus, Jennifer Vyvyan)DISC 2:1. Handel Messiah (London Philharmonic Orchestra & Chorus, Jennifer Vyvyan)DISC 3:1. Handel Messiah (London Philharmonic Orchestra & Chorus, Jennifer Vyvyan)DISC 4:1. Handel Messiah (London Symphony Orchestra & Chorus, Joan Sutherland)DISC 5:1. Handel Messiah (London Symphony Orchestra & Chorus, Joan Sutherland)DISC 6:1. Handel Messiah (London Symphony Orchestra & Chorus, Joan Sutherland)DISC 7:1. Handel Acis and GalateaDISC 8:1. Handel Acis and GalateaDISC 9:1. Famous Handel Songs and Arias2. J.S. Bach Sheep May Safely Graze; Air (Suite No. 3)3. Clarke Trumpet Voluntary*4. Britten God Save the Queen*DISC 10:1. A Recital of Bach & Handel Arias (1953 Recording)DISC 11:1. A Recital of Bach & Handel Arias (1960 Stereo Remake)DISC 12:1. Bach & Handel RecitalDISC 13:1. Great Sacred Songs (Mendelssohn; Gruber; Gounod; Parry; Bortniansky; Wade; Liddle) The second limited edition volume of Sir Adrian Boult's Decca legacy brings together the conductor's Messiah recordings of 1954 and 1960, plus Baroque and sacred music recitals from Kenneth McKellar, Kirsten Flagstad and Kathleen Ferrier. While hardly a 'period-instrument' pioneer, Sir Adrian Boult had a much surer sense of authentic Handelian style than most of his contemporaries. Editions and performances of Handel's masterpiece were still often cut and loaded with Romantic trappings in 1935 when Julian Herbage prepared the most complete version of the score yet made, with Handel's original instrumentation. Boult began performing this version in 1942 and it was the obvious choice for a new, refreshing perspective on the piece when he came to record it for Decca in 1954. Listeners and critics alike were struck by the energy of Boult's direction, the purity and simplicity of the solo singing and the vivid Decca engineering. These qualities also distinguished the stereo remake, made with similarly slimmed-down forces and featuring Dame Joan Sutherland on the top line. She also contributed to the success of Boult's Acis and Galatea from 1959, and the box is completed with a series of glorious vocal recitals, from the tenor Kenneth McKellar, the soprano Kirsten Flagstad and the contralto Kathleen Ferrier, all accompanied by Boult in Baroque repertoire with the sensitivity to line that made him so underrated and underused as an opera conductor. Ferrier recorded this selection of Bach and Handel arias a year before her death in 1952, but eight years later Boult and the LPO returned to the studios to produce a stereo accompaniment for the album, which the Decca producer James Walker mixed with Ferrier's part from 1952: an early and remarkably successful example of the technology later used to 'update' classic recordings of Caruso and Callas.© DirectToU LLC. All Rights Reserved.
4 de agosto de 2026

Rafael Kubelik Complete Decca Recordings (CD) NEW

Format : CD / Box Set. 🏢 Record Label : Australian Eloquence. 📀💿 Number of Discs : 12.
4 de agosto de 2026

Fou Ts’ong – Complete Westminster Recordings [New CD] Boxed Set, Australia – Imp

Fou Ts'ong - Complete Westminster Recordings [New CD] Boxed Set, Australia - Imp Artist: Fou Ts'ong Title: Complete Westminster Recordings Condition: Format: CD Release Date: 2021 Label: Eloquence Australia UPC: 028948437122 Genre: Classical Artists Album TracksDISC 1:1. Domenico Scarlatti - Sonata in C Major, KK 132 (L.457)2. Domenico Scarlatti - Sonata in C minor, KK 73 (L.217)3. Domenico Scarlatti - Sonata in F Major, KK 82 (L.82)4. Domenico Scarlatti - Sonata in B minor, KK 27 (L.449)5. Domenico Scarlatti - Sonata in E Major, KK 380 (L.23)6. Domenico Scarlatti - Sonata in F Major, KK 483 (L.483)7. Domenico Scarlatti - Sonata in G Major, KK 124 (L.482)8. Domenico Scarlatti - Sonata in F Major, KK 151 (L.238)9. Domenico Scarlatti - Sonata in F Major, KK 256 (L.256)10. Domenico Scarlatti - Sonata in E Major, KK 206 (L.257)11. Domenico Scarlatti - Sonata in C minor, KK 11 (L.352)12. Domenico Scarlatti - Sonata in C Major, KK 255 (L.255)DISC 2:1. George Frideric Handel - Chaconne in G Major, HWV 4352. George Frideric Handel - Suite No. 14 in G Major, HWV 4413. George Frideric Handel - Minuet in G minor, HWV 434/44. Johann Sebastian Bach - Chromatic Fantasia and Fugue in D minor, BWV 9035. Johann Sebastian Bach - Capriccio on the Departure of a Beloved Brother, in B Flat Major, BWV 992DISC 3:1. Ludwig Van Beethoven - Piano Sonata No. 30 in E Major, Op. 1092. Ludwig Van Beethoven - Piano Sonata No. 31 in a Flat Major, Op. 110DISC 4:1. Franz Schubert - Piano Sonata No. 14 in a Minor, D.7842. Franz Schubert - Piano Sonata No. 21 in B Flat Major, D.960DISC 5:1. Frédéric Chopin - Mazurka in E Major, Op. 6 No. 32. Frédéric Chopin - Mazurka in a Minor, Op. 7 No. 23. Frédéric Chopin - Mazurka in E minor, Op. 17 No. 24. Frédéric Chopin - Mazurka in a Minor, Op. 17 No. 45. Frédéric Chopin - Mazurka in G minor, Op. 24 No. 16. Frédéric Chopin - Mazurka in C Major, Op. 24 No. 27. Frédéric Chopin - Mazurka in B Flat minor, Op. 24 No. 48. Frédéric Chopin - Mazurka in C minor, Op. 30 No. 19. Frédéric Chopin - Mazurka in B minor, Op. 30 No. 210. Frédéric Chopin - Mazurka in B minor, Op. 33 No. 411. Frédéric Chopin - Mazurka in E minor, Op. 41 No. 212. Frédéric Chopin - Mazurka in C Sharp minor, Op. 50 No. 313. Frédéric Chopin - Mazurka in C minor, Op. 56 No. 314. Frédéric Chopin - Mazurka in a Minor, Op. 59 No. 115. Frédéric Chopin - Mazurka in G minor, Op. 67 No. 216. Frédéric Chopin - Mazurka in a Minor, Op. 67 No. 417. Frédéric Chopin - Mazurka in a Minor, Op. 68 No. 218. Frédéric Chopin - Mazurka in F minor, Op. 68 No. 4DISC 6:1. Frédéric Chopin - Ballades Nos. 1-42. Frédéric Chopin - Prélude in a Flat Major, Op. Posth3. Frédéric Chopin - Prélude in C Sharp minor, Op. 454. Frédéric Chopin - Berceuse in D Flat Major, Op. 57DISC 7:1. Robert Schumann - Piano Concerto in a Minor, Op. 542. Frédéric Chopin - Piano Concerto No. 2 in F minor, Op. 21DISC 8:1. Wolfgang Amadeus Mozart - Piano Concerto No. 9 in E Flat Major, KV 271 'Jeunehomme'2. Wolfgang Amadeus Mozart - Piano Concerto No. 12 in a Major, KV 414DISC 9:1. Wolfgang Amadeus Mozart - Piano Concerto No. 25 in C Major, KV 5032. Wolfgang Amadeus Mozart - Piano Concerto No. 27 in B Flat Major, KV 595DISC 10:1. Wolfgang Amadeus Mozart - Concerto for Three Pianos and Orchestra (No. 7) in F Major, KV 242 'Lodron'2. Wolfgang Amadeus Mozart - Concerto for Two Pianos and Orchestra (No. 10) in E Flat Major, KV 365 The Westminster label legacy of a master Chopin interpreter, issued complete for the first time in an 'original covers' box of new remasterings. Almost half a century before Lang Lang, the pianist Fou Ts'ong took Europe and then the US by storm. With his third-prize finish at the 1955 International Chopin Competition in Warsaw, listeners and critics alike were astonished to encounter a mature and seemingly instinctive feel for the uniquely Polish rhythms and passing harmonies of Chopin's music, under the fingers of a 21-year-old from Shanghai. Having undertaken further studies in Poland, Fou Ts'ong left his family behind and settled in London to escape the looming shadow of Chinese authoritarianism. He entered into a relationship with the Westminster label, for whom he would record nine albums between 1960 and 1967, all newly remastered and gathered together for the first time in the present collection. They encompass a good range of his repertoire predilections, as well as the scope of his youthful artist maturity. He is also joined by Daniel Barenboim and Vladimir Ashkenazy for a joyous traversal of Mozart's concertos with two and three pianos in a 1972 Decca recording. His Westminster collection of 12 Scarlatti sonatas was praised at the time for it's crisp, modern approach and vividly naturalistic touches. An album of Bach and Handel similarly reveals the intelligence, taste and inherent musicality which Fou Ts'ong brought to this repertoire on the modern concert grand. Several more Westminster albums demonstrate Fou's affinity for Mozart: not so surprising, given that he imprinted on his father's record collection with it's 78s of Artur Schnabel and Wanda Landowska. The pianist may have forsaken his homeland for good, but his musicianship encompassed both European and Chinese aesthetic ideals. He praised Chinese poetry for it's strength of feeling without excess: 'It has to remain dignified, spiritual and always beautiful'. These qualities also illuminate the albums of Beethoven and Schubert sonatas collected here. 'The Chinese are also very concerned with detail,' he said: 'Every part must be right, but on the other side the expression must be spontaneous and true,' and an appreciation for this fine balance made him associated above all with the music of Chopin. Although he recorded Chopin's Mazurkas at different times throughout his career, the group of eighteen issued by Westminster arguably represents his interpretations at their freshest and most creative. The Four Ballades likewise established a benchmark of sensitivity among a younger generation of Chopin pianists. The Second Concerto of Chopin, and it's original coupling of the Schumann Concerto appear in stereo on CD for the first time. The new collection makes a timely tribute to the artistry of a pianist who died of Covid-19 late last year.© DirectToU LLC. All Rights Reserved.
4 de agosto de 2026

Peter Maag – The Peter Maag Edition [New CD] Boxed Set, Australia – Import

Peter Maag - The Peter Maag Edition [New CD] Boxed Set, Australia - Import Artist: Peter Maag Title: The Peter Maag Edition Condition: Format: CD Release Date: 2021 Label: Eloquence Australia UPC: 028948414857 Genre: Classical Artists Newly compiled for the first time, the Decca career of a pre-eminent Mozart conductor, complemented by his recordings for Deutsche Grammophon and Westminster. Peter Maag began his career as a pianist, but turned to conducting with the encouragement of Wilhelm Furtwängler. He made his first Decca recording having lately turned 30, with the Suisse Romande Orchestra whose founder-director, Ernest Ansermet, also gave his fellow Swiss conductor much early encouragement. Critics recognized Maag as a natural Mozartian, and his first seven Decca recordings were exclusively dedicated to the composer's serenades, symphonies and arias (accompanying Jennifer Vyvyan and Fernando Corena). In the late 1950s, Maag embarked on a fruitful relationship with the LSO, which yielded more Mozart and then classic accounts of Mendelssohn - the Scottish Symphony and music for A Midsummer Night's Dream - for which the conductor's lightness of touch and firm rhythmic hand were ideally suited. These qualities also found him at home in ballet - there are beautifully sprung accounts here of Les Sylphides and La Source - and the Italian operatic repertoire. As well as a long-prized disc of Rossini overtures, this box gathers up Maag's pioneering recording of a forerunner to Fidelio, Paer's Leonora, and Verdi's Schiller-rarity, Luisa Miller, with a cast led by Luciano Pavarotti (who had already worked on the piece with the conductor for Italian radio). Maag brought the best out of both vocal and instrumental soloists, and many of his records find him in the role of accompanist, to Julius Katchen near the start of his career and Barry Tuckwell for his first Decca recording, with the late Fou Ts'ong in 1962, and to Peter Jablonski and Joshua Bell near the end. In between he made a trio of less-familar albums for Deutsche Grammophon, a suave foil to Heinz Holliger in Baroque oboe concertos, to Edith Peinemann in Dvořák's Violin Concerto and Ravel's Tzigane, and to the Danish Heldentenor Ticho Parly for a Wagner recital. Jablonski and Tuckwell contribute personal reminiscences of working with Maag for the booklet notes.Copyright DirectToU LLC. All Rights Reserved.
4 de agosto de 2026

Pablo Casals – Casals: The Philips Legacy [New CD] Australia – Import

Pablo Casals - Casals: The Philips Legacy [New CD] Australia - Import Artist: Pablo Casals Title: Casals: The Philips Legacy Condition: Format: CD Release Date: 2022 Label: Eloquence Australia UPC: 028948423484 Genre: Classical Artists Limited Edition 7CD Box Set. The late chamber recordings made by the great Catalan cellist with longstanding friends and colleagues, including two versions of Beethoven's 'Ghost' Trio, the 1956 'Hommage à Pablo Casals' LP, and the Schubert String Quintet with the Végh Quartet. Includes CD premieres. In September 1958, the 81-year-old Pablo Casals took part in the (now annual) Beethovenfest held in the composer's home city of Bonn. His music-making had lost none of it's carefree spirit, and Philips quickly issued these live recordings of Beethoven sonatas and piano trios made in the intimate space of the music room of the Beethoven House. They preserve the cellist on liberated and exhilarating form in a transcription of the Horn Sonata and the Second and Fifth Cello Sonatas, accompanied by the Polish pianist who had been a chamber-music partner since the 1930s, Mieczysław Horszowski. These understated masters of an essentially 19th-century playing style were joined in three piano trios - including the 'Ghost' and 'Archduke' - by a Hungarian violinist from a younger generation, Sándor Végh, whose sweet tone and supple rubato also comes from another age. Three years later, at the cellist's festival in his adopted Pyreneean home of Prades, Philips captured an equally spontaneous account of the First Cello Sonata with Wilhelm Kempff (a mere 66 at the time) and another 'Ghost' with Végh and the Swiss pianist Karl Engel. These are performances embodying Casals's wise and patrician personality as a musician, yet never solemn and always responsive to his colleagues and the spirit of the occasion. Also captured at the 1961 festival, the account of the Schubert Quintet featured gains special warmth from the Hungarian line-up, in which Végh leads his compatriots Sándor Zöldy, Georges Janzer and Paul Szabo, with Casals taking the second cello part. The 'Ghost' Trio with Horszowski receives a first release on CD in this box, along with another Philips LP made live at the Sorbonne in Paris in October 1956. Casals conducts the Lamoureux Orchestra in a deeply felt performance of Faure's Elégie, with the solo part taken by the orchestra's fine cello section in unison. A 25-minute rehearsal sequence brings fascinating insights into Casals's working methods and his passionate but practical engagement with the music at hand. Casals as conductor in Paris also neatly rounds off the set: the 1960 LP of concertos by Haydn and Boccherini with his pupil Maurice Gendron: aristocratically moulded versions that retain their musical virtues in these period-aware times, and the first-ever recording of the Boccherini to return to the original score rather than the heavily rewritten Grützmacher edition. Tully Potter's new essay completes a set which should appeal to Casals enthusiasts, collectors and cellists alike.© DirectToU LLC. All Rights Reserved.
4 de agosto de 2026

Karl Munchinger – Bach J.S: Orch Suites Nos 1 – 4 [New CD]

Karl Munchinger - Bach J.S: Orch Suites Nos 1 - 4 [New CD] Artist: Karl Munchinger Title: Bach J.S: Orch Suites Nos 1 - 4 Condition: Format: CD Release Date: 1999 Label: Eloquence Australia UPC: 028945816920 Genre: Classical Artists Album Tracks1. I. Ouverture (N 1 en Utmajeur)2. II. Courante (N 1 en Ut Majeur)3. III. Gavotte 1 & 2 (N 1 en Ut Majeur)4. IV. Forlane (N 1 en Ut Majeur)5. V. Menuet 1 & 2 (N 1 en Ut Majeur)6. VI. Bourree 1 & 2 (N 1 en Ut Majeur)7. VII. Passepied 1 & 2 (N 1 en Ut Majeur)8. I. Ouverture (N 2 en Si Mineur)9. II. Rondeau (N 2 en Si Minor)10. III. Sarabande (N 2 en Si Mineur)11. IV. Bourree 1 & 2 (N 2 en Si Mineur)12. V. Polonaise & Doble (N 2 en Si Mineur)13. VI. Menuet (N 2 en Si Mineur)14. VII. Badinerie (N 2 en Si Mineur)15. I. Ouverture (N 3 en Re Majeur)16. II. Air (N 3 en Re Majeur)17. III. Gavotte 1 & 2 (N 3 en Re Majeur)18. IV. Bourree (N 3 en Re Majeur)19. V. Gigue (N 3 en Re Majeur)20. I. Ouverture (N 4 en Re Majeur)21. II. Bourre 1 & 2 (N 4 en Re Majeur)22. III. Gavotte (N 4 en Re Majeur)23. IV. Menuet 1 & 2 (N 4 en Re Majeur)24. V. Rejouissance (N 4 en Re Majeur) Copyright DirectToU LLC. All Rights Reserved.